Handmade vintage Persian Gabbeh kilim 5.6' x 7.7' ( 170cm x 235cm ) 1960 - 1C516
SKU:
1C516
$1,650.00
$1,650.00
Mid-century Persian kilim in red shade and all-over design. Miniature animals are in navy blue shade along with border. Sky blue colors are in each corner. The kilim is generally in original good condition, one corner is missing.
-condition: original, one corner is missing,
-circa: 1960s,
-size: 5.6' x 7.7' ( 170cm x 235cm ),
-material: wool,
-country of origin: Iran,
-style: Gabbeh,
-background colors: red, navy blue, sky blue, yellow.
-condition: original, one corner is missing,
-circa: 1960s,
-size: 5.6' x 7.7' ( 170cm x 235cm ),
-material: wool,
-country of origin: Iran,
-style: Gabbeh,
-background colors: red, navy blue, sky blue, yellow.
1 available
Shipping and Returns
Shipping Information This product ships from our warehouse in Bordeaux, France.
Shippable to the Following Countries: the rest of the World
Return Policy We want you to be 100% satisfied with your purchase from One Royal Art. We offer a 14-day return policy. See the Terms and conditions for more details.
Shipping Starts In: 3 to 7 days
Shipping Charges based on the weight of the item and the country of delivery.
Shipping Information This product ships from our warehouse in Bordeaux, France.
Shippable to the Following Countries: the rest of the World
Return Policy We want you to be 100% satisfied with your purchase from One Royal Art. We offer a 14-day return policy. See the Terms and conditions for more details.
Shipping Starts In: 3 to 7 days
Shipping Charges based on the weight of the item and the country of delivery.
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-condition: original, some age ware,
-circa: 1920,
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-condition: original, some colour run,
-circa: 1950s,
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-condition: original, some colour run,
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Handmade vintage Persian Gabbeh kilim 5.6' x 7.7' ( 170cm x 235cm ) 1960 - 1C516
$1,650.00
Mid-century Persian kilim in red shade and all-over design. Miniature animals are in navy blue shade along with border. Sky blue colors are in each corner. The kilim is generally in original good condition, one corner is missing.
-condition: original, one corner is missing,
-circa: 1960s,
-size: 5.6' x 7.7' ( 170cm x 235cm ),
-material: wool,
-country of origin: Iran,
-style: Gabbeh,
-background colors: red, navy blue, sky blue, yellow.
-condition: original, one corner is missing,
-circa: 1960s,
-size: 5.6' x 7.7' ( 170cm x 235cm ),
-material: wool,
-country of origin: Iran,
-style: Gabbeh,
-background colors: red, navy blue, sky blue, yellow.
Handmade vintage Persian Gabbeh kilim 5.6' x 7.5' ( 171cm x 229cm ) 1960 - 1C518
$1,700.00
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-circa: 1960s,
-size: 5.6' x 7.5' ( 171cm x 229cm ),
-material: wool,
-country of origin: Iran,
-style: Gabbeh,
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-condition: original, one side has some age wear,
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-style: Gabbeh,
-background colors: red, beige, green, sky blue, yellow.
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-material: wool,
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Carpet-weaving in Karabakh especially developed in the second half of the nineteenth century, when the population of many areas in Karabakh was engaged in carpet-weaving, mainly for commercial sale purposes. At this time Shusha (Shushi) became the center of the Karabakh carpet-weaving.
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Handmade antique Tinisian flat-weave kilim 3.3' x 9.2' ( 101cm x 283cm) 1930 - 1C532
$1,800.00
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-condition: original, some age wear,
-circa: 1930s,
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-material: bamboo cotton,
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$4,500.00
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Making a kilim is a highly regarded folk art; kilims that are handmade with natural dye and wool are the cultural norm. There is also a great deal of symbolism in the patterns used in each design.
Some kilims are even used as Muslim prayer rugs. Because of the cultural aspects of these rugs, each region has its own traditions revolving around colors, styles, and patterns. Because of the regional nature of the differences in style, it is easy to identify the type of kilim by aesthetics. This has led to a particular region in Turkey choosing to patent their own brand of kilim.Here are Turkish Kilim Rug by region.Colors and designs are different according to the region they come from.
-condition: original: some age wear,
-circa: 1880,
-size: 7.7' x 9.2' ( 235cm x 281cm ),
-material: wool,
-country of origin: Turkey,
-style: Oushak kilim,
-background colors: red, dirty blue, turquoise, olive green.
Usak, the home of big size kilims is an important center for contemporary kilims. Old Usak kilims had often central medallion and red background color. Some of these Kilims are as big as 5.5 meter square. In the recent years, Usak became an important center for contemporary kilims.
Turkish Kilim rug, which are more like tapestries - soft and thin and used as sofa covers or wall hangings - are also increasingly in demand.Kilim is a flat-woven rug (though because of the artful nature of the kilim, many are hung on the wall as show-pieces instead of being used as a floor-covering) made in several regions of the world, including Turkey, Persia, and the Caucasus.
Making a kilim is a highly regarded folk art; kilims that are handmade with natural dye and wool are the cultural norm. There is also a great deal of symbolism in the patterns used in each design.
Some kilims are even used as Muslim prayer rugs. Because of the cultural aspects of these rugs, each region has its own traditions revolving around colors, styles, and patterns. Because of the regional nature of the differences in style, it is easy to identify the type of kilim by aesthetics. This has led to a particular region in Turkey choosing to patent their own brand of kilim.Here are Turkish Kilim Rug by region.Colors and designs are different according to the region they come from.
-condition: original: some age wear,
-circa: 1880,
-size: 7.7' x 9.2' ( 235cm x 281cm ),
-material: wool,
-country of origin: Turkey,
-style: Oushak kilim,
-background colors: red, dirty blue, turquoise, olive green.
Hand made vintage Persian Gashkai kilim 4.4' x 10' ( 135cm x 305cm ) 1960 - 1C311
$2,500.00
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The Ghashghai nomads are found in theFars province in the southwest of Iran and they live in the provinces of Fars, Khuzestan and Southern Isfahan but mostly in the surroundings of Shiraz. They move twice a year, between the winter pasture near the Persian Gulf and the summer pasture up in the Zagros mountains where it is much cooler. During the move it is possible to see the men with their typical round hats, running together with their dogs, large flock of sheep and herds of goats, along the roads swirling with clouds of dust. The women in their colourful clothes move along with the help of donkeys and horses towards new camp grounds. The tents that they live in are often made from goat hair.
The manufacturing of carpets as well as kelims, bags, ribbons and other decorations is an important contribution to the life of the nomads. The carpets have a typical red-brown ground colour. The pattern is tied from memory and often consists of a centrally placed medallion, repeated in all four corners. Humans, four legged animals, birds, trees and flowers are popular elements. Other patterns are collected from frescos and columns in Persepolis (Tacht-e-Jamshid in Persia) the ceremonial capital during the Achmenids dynasty (550-330 B.C.). They are also wellknown for their beautiful sadle bags that are knotted for more practical reasons.
The carpets are woven on horizontal looms and the weaver sits during the weaving process on the half made part of the carpet. Semi nomads, who are resident during part of the year, weave carpets in the same way. A specially well-woven carpet is know as a Kashkooli. Gabbeh signifies a rough and primitive nomadic carpet from the area. During the last decades, the weaver had to oblige to the western desires and began to use large brighter fields with few patterns in the Gabbeh carpets. Well-made Ghashghai carpets are attractive and durable products that tells a lot about the conditions of the nomadic life. The carpet is made entirely of wool from sheep and goats with some horse hair. The carpets can also be known as Qashqai, Gashghai, Gaschgai or Kashgai carpets.
Most of the Ghasghai nomads have now settled in towns and villages. Their carpets are therefore more directly influenced by market demands. These carpets in comparison to other nomadic tribal carpets are more coarsely woven and have cotton warps. More simple carpets from the area are sold under the name Shiraz. It is also the name of the provincial capital and in these bazaars the Ghashghai carpets are sold. The bazaars are also a common place where the nomads purchase other products they may use in their everyday life.
Ghashghai carpets consist of a hexagon or diamond with four projecting hooks inside of a hooked diamond. Some Ghasghai pieces have the Hebatlu design (Hebatlu is the name of one of the one of the smaller Ghasghai tribes) and it consists of circular central medallion, and smaller designs similar to the central medallion repeated on each of the four corners of the carpet. The Ghasghai kelims tend to be woven in one piece with cotton sometimes used as highlights. The have simple designs and the warp is normally finished in long braids. The tribe that are well known for making the Kelims are the Amaleh and Darashuri.
-condition: original, good,
-circa: 1960,
-size: 4.4' x 10' ( 135cm x 305cm ),
-material: wool,
-country of origin: Iran,
-style: Gashkai,
-background colors: brick red, indigo blue, white, chocolate brown.
The Ghashghai nomads are found in theFars province in the southwest of Iran and they live in the provinces of Fars, Khuzestan and Southern Isfahan but mostly in the surroundings of Shiraz. They move twice a year, between the winter pasture near the Persian Gulf and the summer pasture up in the Zagros mountains where it is much cooler. During the move it is possible to see the men with their typical round hats, running together with their dogs, large flock of sheep and herds of goats, along the roads swirling with clouds of dust. The women in their colourful clothes move along with the help of donkeys and horses towards new camp grounds. The tents that they live in are often made from goat hair.
The manufacturing of carpets as well as kelims, bags, ribbons and other decorations is an important contribution to the life of the nomads. The carpets have a typical red-brown ground colour. The pattern is tied from memory and often consists of a centrally placed medallion, repeated in all four corners. Humans, four legged animals, birds, trees and flowers are popular elements. Other patterns are collected from frescos and columns in Persepolis (Tacht-e-Jamshid in Persia) the ceremonial capital during the Achmenids dynasty (550-330 B.C.). They are also wellknown for their beautiful sadle bags that are knotted for more practical reasons.
The carpets are woven on horizontal looms and the weaver sits during the weaving process on the half made part of the carpet. Semi nomads, who are resident during part of the year, weave carpets in the same way. A specially well-woven carpet is know as a Kashkooli. Gabbeh signifies a rough and primitive nomadic carpet from the area. During the last decades, the weaver had to oblige to the western desires and began to use large brighter fields with few patterns in the Gabbeh carpets. Well-made Ghashghai carpets are attractive and durable products that tells a lot about the conditions of the nomadic life. The carpet is made entirely of wool from sheep and goats with some horse hair. The carpets can also be known as Qashqai, Gashghai, Gaschgai or Kashgai carpets.
Most of the Ghasghai nomads have now settled in towns and villages. Their carpets are therefore more directly influenced by market demands. These carpets in comparison to other nomadic tribal carpets are more coarsely woven and have cotton warps. More simple carpets from the area are sold under the name Shiraz. It is also the name of the provincial capital and in these bazaars the Ghashghai carpets are sold. The bazaars are also a common place where the nomads purchase other products they may use in their everyday life.
Ghashghai carpets consist of a hexagon or diamond with four projecting hooks inside of a hooked diamond. Some Ghasghai pieces have the Hebatlu design (Hebatlu is the name of one of the one of the smaller Ghasghai tribes) and it consists of circular central medallion, and smaller designs similar to the central medallion repeated on each of the four corners of the carpet. The Ghasghai kelims tend to be woven in one piece with cotton sometimes used as highlights. The have simple designs and the warp is normally finished in long braids. The tribe that are well known for making the Kelims are the Amaleh and Darashuri.
-condition: original, good,
-circa: 1960,
-size: 4.4' x 10' ( 135cm x 305cm ),
-material: wool,
-country of origin: Iran,
-style: Gashkai,
-background colors: brick red, indigo blue, white, chocolate brown.
Handmade vintage Indian Dhurri kilim 6' x 9.8' ( 185cm x 300cm) 1970 - 1C494
$1,700.00
Handmade vintage striped Indian Dhurri kilim in original good condition. This kilim made out of cotton, it is quite heavy. The main shades on it are: black, grey, yellow, peach. Will be a nice attachment to your home.
-condition: original good,
-circa: 1970s,
-size: 6' x 9.8' ( 185cm x 300cm ),
-material: cotton,
-country of origin: India,
-style: Dhurri,
-background colors: black, peach, grey, yellow.
-condition: original good,
-circa: 1970s,
-size: 6' x 9.8' ( 185cm x 300cm ),
-material: cotton,
-country of origin: India,
-style: Dhurri,
-background colors: black, peach, grey, yellow.
Hand made antique American-Indian Navajo rug 4.2' x 9.2' ( 128cm x 280cm) 1900 - 1B63
$6,500.00
Antique hand woven American-Indian navajo rug in original great condition. This collectible rug has very nice size for Navajo type. Traditional tribal patter in gray and red shades. Some colors a little bit bleeding. The rug is in original condition and has some stains. there no holes or tears.
Navajo rugs and blankets are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one expert expresses it, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world.
Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Toward the end of the 19th century, weavers began to make rugs for tourism and export. Typical Navajo textiles have stronggeometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs.
The original function of Navajo weaving was to produce clothing: "shoulder robes, rectangular panel or wrap-around-dresses, semi-tailored shirts, breechcloths, and a variety of belts, sashes, hair ties, and garters. The production of weaving flourished after the mid 1800s for trade with the white settlers.
Navajo rugs and wall hangings look amazing in a variety of spaces and alongside numerous decorative styles, but they look especially beautiful when paired with other earthy, natural materials. For instance, a hand-woven Navajo rug would look terrific near a leather couch. A rich, luxurious shade of chocolate, tobacco, or cognac leather would work beautifully with the deep reds, grays, and blues of traditionally styled Navajo Indian rugs.
-condition: original, stains,
-circa: 1900,
-size: 4.2' x 9.2' ( 128cm x 280cm ),
-material: wool,
-country of origin: North America,
-style: Navajo,
-background colors: gray, beige, burgundy, red.
Navajo rugs and blankets are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one expert expresses it, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world.
Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Toward the end of the 19th century, weavers began to make rugs for tourism and export. Typical Navajo textiles have stronggeometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs.
The original function of Navajo weaving was to produce clothing: "shoulder robes, rectangular panel or wrap-around-dresses, semi-tailored shirts, breechcloths, and a variety of belts, sashes, hair ties, and garters. The production of weaving flourished after the mid 1800s for trade with the white settlers.
Navajo rugs and wall hangings look amazing in a variety of spaces and alongside numerous decorative styles, but they look especially beautiful when paired with other earthy, natural materials. For instance, a hand-woven Navajo rug would look terrific near a leather couch. A rich, luxurious shade of chocolate, tobacco, or cognac leather would work beautifully with the deep reds, grays, and blues of traditionally styled Navajo Indian rugs.
-condition: original, stains,
-circa: 1900,
-size: 4.2' x 9.2' ( 128cm x 280cm ),
-material: wool,
-country of origin: North America,
-style: Navajo,
-background colors: gray, beige, burgundy, red.
Hand made antique Caucasian Shirvan kilim 5,3' x 8,10' ( 162cm x 274cm ) 1890 - 1C337
$2,800.00
Antique hand made Caucasian Shirvan kilim in original condition. Traditional geometric design in the diamond shapes ornaments with different crosses in them. Variaty of colors combines together in a one beautiful mosaic. The condition is original, it has some age wear and tears. This kilim is collectible.
Shirvan rugs - The historic Khanate or administrative district of Shirvan produced many highly decorative antique rugs that have a formality and stylistic complexity that is found in few rugs from the Caucasus. The depth of colors, the complexity of the composition and the phenomenal patterns featured in antique Shirvan rugs set them apart from those produced in other regions of the Caucasus. Shirvan, which is part of modern-day Azerbaijan, was populated by Azeri Turks and some Armenians, who were expert dyers and weavers. The format is generally long and narrow, which would have been preferred by consumers in the Caucasus. This format lends itself well to multi-medallion compositions.
Grand symbol-filled medallions with polychrome accents are featured prominently as are all-over Afshan patterns, which are a sort of angular arabesque filled with dramatic harshang palmettes. Stunning allover patterns featuring symbolic devices and a latticework of angular floral sprigs are also used. Fine prayer rugs with angular mihrabs are made in the area as well. Rugs from the Shirvan region include those produced in Marasali, Bakuand other local cities and villages with the largest carpets coming from Baku. Regardless of the format or the patterns featured, antique Shirvan carpets are full of strong colors, powerful symbols and subtle details that add to their stylistic richness.
Shirvan rugs are often the most sought after antique rugs from the Caucasus. Shirvan rugs were made not far from those of Kuba, which are closely related in terms of design and coloration. But Shirvans tend to be distinguished by a larger, more supple weave. They also leaned more to medallion designs, while Kubas relied more on allover patterns. Still, Shirvan rugs and Kubas constitute something of a contrast to the bolder more graphic quality of South Caucasian rugs like Kazaks andKarabaghs. Instead they are more finely detailed, relying on precise articulations of form as well as the effects of rich color.
-condition: original, some age wear,
-circa: 1890,
-size: 5,3' x 8,10' ( 162cm x 274cm ),
-material: wool,
-country of origin: Russia,
-style: Shirvan,
-background colours: navy blue, sky blue, beige, brown, orange, brick red.
Shirvan rugs - The historic Khanate or administrative district of Shirvan produced many highly decorative antique rugs that have a formality and stylistic complexity that is found in few rugs from the Caucasus. The depth of colors, the complexity of the composition and the phenomenal patterns featured in antique Shirvan rugs set them apart from those produced in other regions of the Caucasus. Shirvan, which is part of modern-day Azerbaijan, was populated by Azeri Turks and some Armenians, who were expert dyers and weavers. The format is generally long and narrow, which would have been preferred by consumers in the Caucasus. This format lends itself well to multi-medallion compositions.
Grand symbol-filled medallions with polychrome accents are featured prominently as are all-over Afshan patterns, which are a sort of angular arabesque filled with dramatic harshang palmettes. Stunning allover patterns featuring symbolic devices and a latticework of angular floral sprigs are also used. Fine prayer rugs with angular mihrabs are made in the area as well. Rugs from the Shirvan region include those produced in Marasali, Bakuand other local cities and villages with the largest carpets coming from Baku. Regardless of the format or the patterns featured, antique Shirvan carpets are full of strong colors, powerful symbols and subtle details that add to their stylistic richness.
Shirvan rugs are often the most sought after antique rugs from the Caucasus. Shirvan rugs were made not far from those of Kuba, which are closely related in terms of design and coloration. But Shirvans tend to be distinguished by a larger, more supple weave. They also leaned more to medallion designs, while Kubas relied more on allover patterns. Still, Shirvan rugs and Kubas constitute something of a contrast to the bolder more graphic quality of South Caucasian rugs like Kazaks andKarabaghs. Instead they are more finely detailed, relying on precise articulations of form as well as the effects of rich color.
-condition: original, some age wear,
-circa: 1890,
-size: 5,3' x 8,10' ( 162cm x 274cm ),
-material: wool,
-country of origin: Russia,
-style: Shirvan,
-background colours: navy blue, sky blue, beige, brown, orange, brick red.
Handmade vintage Swedish kilim 5.6' x 7.8' ( 170cm x 240cm ) 1950 - 1C565
$2,800.00
Vintage Scandinavian kilim in original good condition. Light shade of blue combines well with white, green and bright red colours. This kilim made out of wool.
-condition: original good,
-circa: 1950s,
-size: 5.6' x 7.8' ( 170cm x 240cm ),
-material: wool,
-country of origin: Sweden,
-style: Kilim,
-background colors: blue, green, red, white, brown.
-condition: original good,
-circa: 1950s,
-size: 5.6' x 7.8' ( 170cm x 240cm ),
-material: wool,
-country of origin: Sweden,
-style: Kilim,
-background colors: blue, green, red, white, brown.
